Hide captionAretha Franklin, pictured in 1968, died Thursday. Referred to as the “Queen of Soul,” she recorded 17 Top rated ten singles.PreviousNextExpre s Newspapers/Getty Photographs Disguise captionThe singer poses along with her Grammy Award for greatest feminine R&B vocal performance at the 1972 awards ceremony.PreviousNextABC Photo Archives/Getty Pictures Cover captionFranklin, onstage in Chicago in 1992. She sold more than 75 million records during her life, making her one of the best-selling artists of all time.PreviousNextPaul Natkin/Getty Pictures Conceal captionGeorge W. Bush awards Franklin the Presidential Medal of Freedom at the White House in 2005.PreviousNextDouglas A. Sonders/Getty Pictures Cover captionFranklin arrives for the inauguration of President-elect Barack Obama at the U.S. Capitol on Jan. 20, 2009.PreviousNextPaul J. Richards/AFP/Getty Visuals Conceal captionFranklin with Oprah Winfrey during the taping of the second to last Oprah Winfrey Show in 2011.PreviousNextPeter Wynn Thompson/AFP/Getty Pictures Hide captionPresident Obama ki ses Aretha Franklin after she performed at the dedication of the Martin Luther King Jr. Memorial in October 2011, in Washington, D.C.PreviousNextMandel Ngan/AFP/Getty Visuals Hide captionFranklin onstage at a gala performance on April 19, 2017, in New York City to celebrate the world premiere of Clive Davis: The Soundtrack of Our Lives, a documentary film about the record industry mogul who signed her to the Arista label.PreviousNextTheo Eric Dickerson Jersey Wargo/Getty Illustrations or photos for Tribeca Film Fe 1 of 8iView slideshow Updated at 12:10 p.m. ET Aretha Franklin, the “Queen of Soul,” died Thursday in her home city of Detroit after battling pancreatic cancer of the neuroendocrine type. Her death was confirmed by her publicist, Gwendolyn Quinn. She was seventy six. Franklin sold more than 75 million records during her life, making her one of the best-selling artists of all time. She took soul to a new level and inspired generations of singers who came after her. “In one of the darkest moments of our lives, we are not able to find the appropriate words to expre s the pain in our heart,” Franklin’s family wrote in a statement. “We have lost the matriarch and rock of our family. The love she had for her children, grandchildren, nieces, nephews, and cousins knew no bounds.Music News Stream Our Playlist Of E sential Aretha Franklin Music “We have been deeply touched by the incredible outpouring of love and support we have received from close friends, supporters and fans all around the world. Thank you for your compa sion and prayers. We have felt your love for Aretha and it brings us comfort to know that her legacy will live on. As we grieve, we ask that you respect our privacy during this difficult time.” No one’s life can be condensed to one word but Aretha Franklin came close when she sang one word: “Respect.” YouTube “Respect” was written by the great Otis Redding. In his version, a man is pleading, offering his woman anything she wants in exchange for her respect. He sang: “Hey little girl, you’re sweeter than honey / And I’m about to give you all of my money / But all I want you to do / Is just give it, give it / Respect when I come home …” Aretha changed those lyrics to demand parity. “Oooh, your ki ses,” she sang, “Sweeter than honey / And gue s what? / So is my money …” In her hands, “Respect” became an empowering song for black women and for all women. It was a No. 1 hit in 1967, and it became her signature song.Franklin was 25 years old when “Respect” was released. But she had been singing since she was a small child in her father’s New Bethel Baptist Church. “Someone found a footstool in the office and put it here on the stage, and they put it there for me to be seen because I was so small,” Franklin told NPR’s Morning Edition in 2004.Music Features Aretha Franklin Was America’s Truest Voice Aretha Franklin was born March 25, 1942, in Memphis, Tenn. but she was raised mostly in Detroit. Her father, the Rev. C.L. Franklin, was a famous preacher, and her childhood was steeped in both music and the burgeoning civil rights movement. Her family was close friends with the Rev. Martin Luther King Jr., who often stayed at their home. Some of the most important gospel artists of the day came to visit regularly as well, including Clara Ward and the Famous Ward Singers, Mahalia Jackson and Sam Cooke. It was Franklin’s father who introduced her to the recording industry. Nicknamed “the man with the million-dollar voice,” C.L. Franklin was among the first Christian ministers to record his sermons (making dozens for the JVB and Che s labels) and to do radio broadcasts of his Sunday addre ses; his 1953 sermon “The Eagle Stirreth Her Nest” is part of the National Recording Registry of the Library of Congre s. Franklin told PBS’s American Masters in 1988 that when she was a child, her father would coach her. “He would give me different records to listen to, to see if I could emulate them on the piano, different vocalists to listen to.” These were gospel artists like Ward and Jackson. But the young Aretha listened to popular music, too. And as she toured with her father she met R&B artists like Fats Domino and Bobby Bland. There was also her Detroit neighborhood: It was filled with future Motown stars like Diana Ro s, the Four Tops and Smokey Robinson, who grew up right around the corner from her. YouTube Franklin made her first album for JVB when she was just 14 years Kayvon Webster Jersey old. It was a collection of gospel songs that included “Precious Lord (Take My Hand).” Four years later, she confided to her father that she longed to cro s over from gospel to secular music. So C.L. Franklin helped her make a demo that led to a contract with Columbia Records, initially working with the legendary producer John Hammond. Decades later, Hammond told NPR that when he first heard her, his response was, “‘This is the greatest thing I’ve heard since Billie Holiday. Who is she?” YouTube In 1961, the bluesy “Won’t Be Long,” from her first Columbia album, Aretha: With The Ray Bryant Combo, became Franklin’s first song to reach the Billboard Hot 100. After making seven records for Columbia over a six-year span, she signed with Atlantic Records and that’s where she became the “Queen of Soul.” At first, Atlantic wanted her to record at the Stax studios in Memphis, but Stax did not want to pay for the se sions. Instead, Atlantic producer Jerry Wexler brought Franklin to the FAME Studios in Muscle Shoals, Alabama, though Franklin eventually recorded most of her first Atlantic album, I Never Loved a Man the Way I Love You, in New York with backing musicians from Muscle Shoals. YouTube In any case, the Wexler/Franklin pairing proved magical. Franklin brought her own material to the label, and Wexler encouraged her to play piano in her recording se sions. And from 1967 to the mid-’70s, Franklin released a string of cla sics. The first was “I Never Loved A Man” along with her sisters as backup singers followed by “Do Right Woman Do Right Man,” “Natural Woman,” “Chain of Fools,” “Think,” “Rock Steady” and “Until You Come Back To Me (That’s What I’m Gonna Do).” At the same time Franklin was turning out hits, she was also deeply involved in the civil rights movement. As she told American Masters, her father was a close friend of King’s. “My dad brought him to Detroit,” she recalled, “and introduced him to the city of Detroit through the New Bethel Baptist Church.” Comedian and activist Dick Gregory told American Masters that the Franklins helped fund the movement, directly and through acce s to Aretha. “If Martin needed money,” he said, “he could make one phone call to Rev. Franklin, and that money was there and also that Rev. Franklin could deliver his daughter, over what managers and record executives would say.” And Franklin and Harry Belafonte toured together to help raise money for the civil rights movement. Franklin’s songs helped the nation through the a sa sination of King and through the Vietnam War. She told NPR in 2004 that veterans have told her how her songs sustained them. “On occasion,” she noted, “I hear that some of them helped them get through the service and I’m delighted by that.” In 1980, Franklin switched labels again this time to Arista Records, where she began to work with producers like Luther Vandro s and Narada Michael Walden. Her pairing with Walden resulted in a string of hits in 1985: “Freeway of Love,” “Who’s Zoomin’ Who?” and a duet with The Eurythmics’ Annie Lenox, “Sisters Are Doin’ It For Themselves,” produced by The Eurythmics’ Dave Stewart. She played with the Rolling Stones, and when tenor Luciano Pavarotti became ill, she filled in for him at the 1998 Grammy Awards, singing the aria “Ne sun Dorma” from the Puccini opera Turandot. For all her profe sional succe s, Franklin had a turbulent personal life. Her mother died before Aretha was ten years old. Her father was shot in an attempted robbery and lingered in a coma for five years before he died in 1984. She had two children before she was 17, and two more later during two marriages that both ended in divorce. She struggled with her weight and with smoking. Franklin continued performing, but she rarely toured because of a fear of flying. YouTube Still, in 2009, she sang for the inauguration of President Barack Obama. Aretha Franklin received just about every award a singer can get, including 18 Grammys (plus the Recording Academy’s Grammy Legend Award and a Lifetime Achievement Award), the Presidential Medal of Freedom and, in 1987, an induction as the first woman into the Rock & Roll Hall of Fame. She performed until she couldn’t anymore because being the Queen of Soul was second nature to her. Additional reporting by NPR’ Cory Littleton Jersey s Anastasia Tsioulcas
Okay! You’ve finished your song – time to share it with the world! First: Spamming is a prominent strategy for getting your name out there. It’ll “level up” your numbers, and get your name out there, but then again, so will belching into strangers’ faces in the middle of the street. Don’t be that guy.
To clarify, spamming to me is using other people’s uploads or forums threads to mention your music. It’s incredibly rude. Imagine positioning yourself next to a street musician and telling people to check out your music. Don’t be that guy.
If you spam a lot, you’ll receive spam a lot. I assume you’re going for constructive feedback and interesting interactions with like-minded people. You’ll have to take the first step, and give it to others first.
A good rule of thumb is to focus on the positive things, and being genuine in what you’re saying. You might not love the track, but from experience, I’m nearly always able to find something to compliment. If it’s total shit and I don’t have anything good to say, I don’t. A negative focus is meaningless: It’s a hobby, not international politics.
Unless someone asks for help finding points of improvement, hold back your helpfulness. We’re all basically manchildren saying “Here, Internet, I made you a song, and I’m very proud of it!” – Just like a child makes drawings to family and friends. Here’s Hans Teeuwen, as “Pseudo-helpful Negative Online Critic”:
When feedback is explicitly asked for, positivity should still dominate, as far as I’m concerned. Constructive critisism is very different from pure critisism. “I like the deep mood you’ve created, but the loud lead synth distracts from it. Maybe you could add some filtering, panning and lower the volume to integrate it better.” is very different from “WTF! The lead synth is way too loud, it ruins everything!”
Connecting is more fun than promoting
The internet is like band camp for music producers. You get to hang out with tons of like-minded people, from all over the world. Showing your music and hearing other people’s music is fun, but it’s especially fun when you get proper conversations going. That’s why I love SoundCloud so much – it’s a very social platform, and I’ve discovered great music as well as great people there.
The band camp analogy is a good one, since you would never say “cool song, please check out mine, rate, comment, subscribe, like and follow, featured on dj 123abc podcast #djmagtop100 #asot #yolo”. Similarly, you wouldn’t walk up to a person and tell him his music sucks. Or maybe you would, and you’re a sociopath.
My laid-back approach does have its drawbacks. Even though I have a small group of people who regularly take their time to give me feedback, which I greatly appreciate, I also think there are many others out there who would want to read my blog and hear my music. Maybe that’ll change when I finish my e-book, which should be more promotable than a bunch of random articles. Maybe I should make an album or an EP, too. There’s a lot of thinking to be done.
For now, though, I’m very happy interacting with my small group of internet friends and couldn’t care less about the numbers.
Give, and you might receive
Anyway, to conclude this incoherent mess of an article, here’s my take on how to get feedback on your music:
- Help others actively, be nice, be sincere, focus on them.
- Post your work online, ask for feedback if you want help.
- Thank people for taking their time to comment, just like you would in real life.
- Even negative comments are from someone who took their time to comment on your track, and most likely, they’re lonely tormented souls. Don’t let them drag you down to their miserable level.
- Put the stats aside, and focus on meaningful interaction. It’s more fun.